second thoughts. a reconsidering from a hospice.

statueMaking coffee answers the what can I do that my name tag asks without you having to read it. So does the fudge that I keep meaning to make at home but can’t set out fast enough here.

Someone tells me something smells so good , like someone always does and I imagine it’s a way of saying I’m home although this isn’t, and it can be the first time we’ve barely met or the last, and we won’t realize that until we haven’t had the chance to figure out how a good-bye might look. I could offer up the scarf you dropped for instance,  and we’d both hold an end .

I watch you without really looking, stacking soup bowls the size of a cupped hand, a certain help yourself arrangement just on the border of let me do that depending on what your hands are doing I suppose. They might weigh heavy at the sides of heart so dark it casts shadows on the kitchen’s island, the rainbow of plattered fruit and veggies  snuffed out and making it easy to see where a bit of doing for and giving and gifting would feel like lighting candles

. Or just as often they act like they know more than I possibly could, and they’ve got this, and are doing fine and are going to take some  into the room even though we’ve already brought some back. Take some and spoon up and in the hope of the living and loving in case their dying one needs reminding of it , to do something that doesn’t taste of giving up.

There can be suggestions of fear and uncertainty and a lonely cracking heart making no secret of itself in hands that flutter a bit. That dance with my follow by nature ones. I take the lid off the crockpot and let you ladle. I get you a spoon , realize you already have one, and we both take a split unspeaking second to let so much just pass between us ; glimmers of what can be and should and is .

Just is.

I take mine like proof, like evidence,  and wonder after you , wonder if I’ll see you again and if you saw enough of what I hope I look like when I’m trying my best just to be here for you in your now. Your never going to get this day back now.

There are generations of family nibbling cheese and triangles of egg salad on whole wheat, egg salad with too much pepper but of course no one notices .  I scrub potatoes at the sink and hear laughter from the sitting room and sobs from down the hall and the ice maker knocking out time passing even as we all seem suspended in it,  sequestered by the part of life that is death.

I try to imagine what they will keep from all of this afterwards. One doesn’t collect souvenirs from visits and vigils at a hospice. There are few facts even. Mostly imprints and memories , echoes of polite greetings and comfort that become hymns of deliverance . All those places on arms and shoulders and the small of your back where slight brushes and grips and leaning into become embers.

I read that in the 18th century Potato Priests gave praise to this food source from their altars so the people of Norway would trust what seemed a devil’s fruit because it grew underground. I rinse dark from what will become the next  portion of gospel . Hope doesn’t always look like we expect and can even be buried somewhere we’d rather not dig around in.

on a busy corner I briefly covet Al Purdy

Image

 
I could live in a writer’s A Frame log home ,
I think
On certain nights in summer or late spring
But even on early winter ones like this
With it’s icy winds making snow drifts as high as the windows
I’d be all about the firewood stacked and the water gathered and the mouse traps set.
Poems and witty prose and short essays would appear in the early mornings
Like the chipmunks and deer and a hawk perhaps.
 
After the first week I might get uptight
One poem and a few a journal entries might drip
like blood almost
just before dawn when I’d realize I drank half a bottle of wine instead of beer
and forgot to look to see if the cat wanted in
although I don’t like cats but writer’s need them
I think
To remain aloof and disprove any notions of originality
 
Certainly the third Saturday would bring a day of such length
that I’d take a nap
Before beginning the book
Then take a walk following the fox tracks all the way to the lake
a sheet of grey paper
Blank
Soundless
If I looked long enough I might imagine life differently
Paint it with more colour in some parts
Less in others.
But I’m not an artist
Or an English teacher
With a red pen
 
Just a woman who can’t think of what to say
When she looks at nothing but herself all day
Looks at less than what appears in the mirrors and windows
Who needs you talking so much I can’t hear
myself
for God’s sake
 
And I inhale and exhale
Words

Quiet and a poem by Thomas Lynch

9miniiris

Local Heroes

Thomas Lynch

Some days the worst that can happen happens.
The sky falls or evil overwhelms or
the world as we have come to know it turns
towards the eventual apocalypse
long predicted in all the holy books–
the end-times of old grudge and grievances
that bring us each to our oblivions.
Still, maybe this is not the end at all,
nor even the beginning of the end.
Rather, one more in a long list of sorrows
to be added to the ones thus far endured,
through what we have come to call our history–
another in that bitter litany
that we will, if we survive it, have survived.
God help us who must live through this,
alive to the terror and open wounds: the heart
torn, shaken faith, the violent, vengeful soul,
the nerve exposed, the broken body so
mingled with its breaking that it’s lost forever.
Lord send us, in our peril, local heroes.
Someone to listen, someone to watch, someone
to search and wait and keep the careful count
of the dead and missing, the dead and gone
but not forgotten. Some days all that can be done
is to salvage one sadness from the mass
of sadnesses, to bear one body home,
to lay the dead out among their people,
organize the flowers and casseroles,
write the obits, meet the mourners at the door,
drive the dark procession down through town,
toll the bell, dig the hole, tend the pyre.
It’s what we do. The daylong news is dire–
full of true believers and politicos,
bold talk of holy war and photo-ops.
But here, brave men and women pick the pieces up.
They serve the living, caring for the dead.
Here the distant battle is waged in homes.
Like politics, all funerals are local.

Love is a Kind of Death

echmon

Perhaps we get this love stuff best when we are weary with trying. Others hear only a feeble song from dry lips.

We’ve spun and dazzled and cajoled. Plotted, planned, and reasoned. Bargained. Marketed. Expected.

Projected.

Maybe the miracle comes when we can shed our robes and baubles. Take leave of our very senses. Forget what we thought mattered.

A client will request the echinacea be left even as they wither and fade. We can protest quietly but no matter and each scheduled visit to her garden jars . Breaks a habit. Sets us alight. All these bouquets of candles.

Butterflies and finch descend to fill with this lessening of. The flowers do not suffer a fate but offer love and very life, even while they dim. We might do well to set aside our tools and bend a knee. Lie prostrate even. There’s little perfect in any of this and it humbles with a very madness.

Hearing Voices

It might be worth a try to put the album of old photos on the ledge of an open window. A  casement one  that sticks from the recent paint job needing the good lean of a shoulder.

This will let you get on with other living day to day things. Make a pot of coffee. Read the paper.

You will hear voices soon enough. The wind will carry them to you while you’re making the bed, piling papers to recycle, noticing more grey hair in the foyer mirror.

That book on the dusty ledge of black and white which is anything but ; It’s an aeolian harp. A wind instrument. All that wild breath playing a song. Whispering. Delivering secrets.

Ghosts rise.

Choose solitude and the past finds you. A furious tempest.

Keep the window open. The winds will die down soon enough.

( still need to fix the sidebar etc. thanks for understanding and patience while the blog is under construction )

moonlitsnowcoveredrocks

Daring a Flame

The moon is a spotlight on stones unturned

I feel the waves but can’t see. Feel them roll over bones so dry I imagine stepping into black ink.

It’s so quiet I hear old stories. Grandmothers pushed away on ice floes. Hear them singing songs of fire.

Taste their wine that leaks from my squinting eyes. Freezes on cracked lips.

I put my hand out through white ashes and into the wind.

Like daring a flame.

{ and so , I am blogging again. posting an archived poem and photo because this site is still very much under construction and one thing at at time…… asking for understanding while I figure out wordpress and tweak and add and format. and saying thank you in advance. and always }